Last week both the House and Senate committees grilled panelists including Ticketmaster CEO Irving Azoff and Live Nation CEO Michael Rapino about the impending merger. Bill Wyman (@hitsville), myself (@ticketbiscuit) and a handful of others covered the events via twitter. You can check out the live stream here and here.

The Senate session was brutal. Seth Hurwitz of IMP Productions and Jerry Mickleson of JAM laid into the behemoth companies like cold assassins, and both Azoff and Rapino stayed on the defensive most of the time. The overwhelming feeling coming out of this session was that the merger would be very bad for independent promoters.

My favorite part of this session was when one audience member said to a panelist (probably Hurwitz) – ‘Dude, you were under oath!” After the cameras had quit rolling but the mics were still on. One telling moment was when Mickelson approached Azoff after the hearings in a sort of détente manner, assuming him that the testimony was not a personal attack. It is clear where the power is currently, and the consequences of upsetting the forces that be (see Pearl Jam).

Then came the House session, and it looked like Rapino had taken a crash course from Dale Carnegie. He was much more polished and convincing, helped somewhat by the undereducated committee and their softball inquiries. Robert W. Doyle, a partner with Doyle, Barlow & Mazard in DC had some excellent sound bytes, but despite his eloquent words and pointed delivery, I came out of this session pretty convinced that the merger will pass muster and Live Nation Entertainment will be born.

My favorite part of this session was when Peter Luukko (President of Comcast-Spectacor) was attempting to show that because he has his own in-house ticketing system, that Ticketmaster does not have a stranglehold on the primary market. Upon continued grilling, he revealed that his ticketing system is Paciolan, owned by Ticketmaster. Of course, the panel didn’t pounce on this, to my dismay.

Notably missing from both sessions were the voices of the artists, venues, and fans. Because of the softball treatment from the committees, and due in part to the absence of these voices, I think the merger will happen. Here’s what to expect:

 

A question I get often is: what does this mean for us (TicketBiscuit)? From a business perspective, the news of this merger has had positive effects. Venues and promoters are looking for options. They see that this much centralization of power is not good for the overall ecosystem. With our Music Liberation Fund, we’re removing the risk of switching away from Ticketmaster. And, we’re the only ticketing company continuing to invest, daily, in tools that help our clients sell more tickets. It’s always been our position to compete well, execute flawlessly, and do the right thing for our clients. And we’ll do that, merger or not.